74%Tomatometer 34 Reviews 23%Audience Score Fewer than 50 Ratings
In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film 'Cobweb', but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece? Read MoreRead Less
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Cobweb
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Cobweb
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Critics Consensus
Cobweb has no shortage of sticky strands, even as Kim Jee-woon's ambitious effort threatens to become an overly tangled blend of satire and meta-fiction.
Brian Tallerico RogerEbert.com It’s as if Kim is testing himself to see if he could make a self-indulgent, unsubstantial lark of a comedy. He can. Sorta. Rated: 2/4 Feb 12, 2024 Full Review Brandon Yu New York Times “Cobweb” falls victim, ironically, to its own punchline — becoming a movie that is too obsessed with itself. Feb 8, 2024 Full Review Jessica Kiang Variety A film containing another film; a filmmaker referring to the trials of a filmmaker: It's a movie of many layers, all of them garish and goofy, none of them great. Jun 23, 2023 Full Review James Wegg JWR Very hot film noir Rated: 4.5/5 Mar 28, 2024 Full Review Joe Muldoon Battle Royale With Cheese Underneath the laughs and lunacy, there's a very important discourse about censorship and authoritarianism; for cinema to live, it must be free. Free from external interference, from expressive restraint, and free to be as open and original as it wishes. Feb 19, 2024 Full Review Perry Norton Film Threat This is a clever and intricately plotted film, ably managing to shuffle together comedy and drama and providing a particularly great showcase for the acting talent within. Rated: 7/10 Feb 16, 2024 Full Review Read all reviews
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Dean Chungho K Underwhelming, and really confusing. I did not like this film at all Rated 0.5/5 Stars •Rated 0.5 out of 5 stars02/11/24 Full Review Alan W In writer-director Kim Jee-woon's new film, Song Kang-ho's Kim Yeol is a movie director in the 1970s haunted by the recent death of his mentor and determined to succeed in his place and proves he's not a hack. Unsure about the ending of his latest film, a hilariously overblown and tonally spot on gothic family melodrama, also called Cobweb, he's convinced that 2 extra days of reshoots will turn it into the masterpiece he dreams of, though inevitably his plans begin to derail and chaos soon takes over his movie set. Partly a satire of the strict censorship regime which existed there back then when government script approval is required before any shooting can begin; and partly a farce where an increasingly desperate and obsessed director wrangles his cast and crew against a running clock and mounting obstacles in the form of surprise visits from government officials and on-set romantic entanglements, this is a deliriously entertaining and funny film, especially for a cine-literate audience who enjoys a peek behind the curtains to see how the smoke and mirrors work to produce cinematic magic on the screen. A delightful and grounded cast, especially for a Korean one, thankfully doesn't stray into their usual exaggerated over-acting; while a climactic sequence pushing Kim into a frenzy state as he attempts to get a meticulously planned one-take shot to finish his film is accompanied by the unexpectedly and brilliantly choice of Luxemborg's winning Eurovision entry from 1965, and proves that the South Koreans can do farce just as well as the British can. South Korea's belated answer to Truffaut's Day For Night turns out to be tremendous fun as competing obsessions, egos and ambitions of the cast and crew fire up on and off the sound stage to uproarious effect. Rated 3.5/5 Stars •Rated 3.5 out of 5 stars03/10/24 Full Review Read all reviews
Cobweb
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Cast & Crew
Kim Jee-woon Director Song Kang-ho Actor Lim Soo-jung Actor Oh Jung-se Actor Jeon Yeo-been Actor Jeong Sujeong Actor
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Cobweb
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Movie Info
SynopsisIn the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film 'Cobweb', but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
It turns out Sarah was the one who killed Rebecca Holbrook when she showed up to trick-or-treat, and the parents hid the body to protect Sarah (and themselves). Sarah confirms this when Peter's bully, Brian, and his cousins ring the doorbell, and Sarah says, "Just like the girl in the garden."
In the end, Cobweb is about a cycle of abuse and violence. Carol and Mark abuse and neglect Sarah due to her deformities, which transforms her into a more literal monster that will stalk Peter for the rest of his presumably short life. And during all of this, Peter has also been tricked into committing murder.
Of course, it eventually transpires that Sarah is real – she was Peter's older sister who had been locked away due to her monstrous appearance, and their parents were so desperate to keep her existence secret that they had even killed a girl who saw her when she escaped one Halloween.
Introduction: My name is Melvina Ondricka, I am a helpful, fancy, friendly, innocent, outstanding, courageous, thoughtful person who loves writing and wants to share my knowledge and understanding with you.
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